Archive for the ‘Exhibits’ Category

Ephraim City Evicts Central Utah Art Center. CUAC Board views eviction as censorship.

Tuesday, July 17th, 2012

Scroll down to read about Edgar Arceneaux and Kurt Forman at the SLC Public Library on July 26

Links to articles about the eviction:

Salt Lake City Weekly

Salt Lake Tribune

KPCW

KUER

Salt Lake Magazine

We are on our way out of Ephraim. We have been pioneers for contemporary art in Utah. We are looking for a new venue so we can continue to do what we do. If you want to help us out, we are working on a couple things 1) we’re looking for a new venue; 2) we need to make up the money we’re short from Ephraim City (make a donation); 3) we’ll have an online petition (Check back soon). For more details, check out the press release below:

Ephraim City Evicts Central Utah Art Center
CUAC Board views eviction as censorship

After 20 years in Ephraim’s Pioneer Square, the Central Utah Art Center (CUAC) received a surprise eviction from the Mayor and Council of Ephraim City on June 20, 2012. Without warning, the government of Ephraim has given notice for CUAC to vacate the building that the CUAC saved from impending demolition and converted into a leading venue for contemporary art in the State of Utah. Although the eviction letter claims lack of support for local arts education and artists, the CUAC Board of Directors views the eviction as a response to the artwork that CUAC exhibited and an attempt to censor the material in a way that violates First Amendment rights.

In conversations with their constituents, the Mayor, City Manager, and several Council members of Ephraim have commented that they feel CUAC exhibitions aren’t “Sanpete appropriate.” Contemporary art of the caliber that CUAC has exhibited is not always intended for viewing by minors, but the CUAC Board maintains that the residents of Sanpete County and the state of Utah deserve exposure to art that challenges, compels, and elevates a viewer who has reached maturity. “That the surprise eviction comes at a time when CUAC is exhibiting three photographs which depict women’s breasts in an exhibition that explores racially-based civil injustices is no coincidence,” said CUAC Director Adam Bateman. “Ephraim City has moved to censor the artwork available to the people of Sanpete County.”

In 1992, Ephraim City planned to raze the ZCMI Granary and co-op building at Ephraim Pioneer Square. A group of citizens raised money and oversaw renovations to save the buildings and start the Central Utah Art Center. At that time, CUAC was a co-operative gallery that showed Sanpete County artists, received approximately 450 visitors annually, and received free rent from Ephraim City. In 2005, CUAC’s focus turned from exclusively showing local artists to exhibiting the best of local, national, and international contemporary artists, a move which brought international recognition, a tenfold increase in financial support, and a twenty-fold increase in visitors (9,000 annually). Ephraim City increased their support of CUAC at that time to include $30,000 annually. CUAC operates under a $130,000 annual budget, the majority of funds coming from private donors and foundation support which includes the prestigious Andy Warhol Foundation.

CUAC has a history of supporting local artists and local arts education. Over the last seven years, 32% of artists exhibiting at CUAC have been from Sanpete County. CUAC has offered classes that target elementary students, occurring an average of more than twice a month for approximately 15 students each. CUAC has also developed a curriculum and been in conversation with Ephraim Elementary School and Snow College to implement an arts education program in the school that would benefit 300 elementary students at least eight times per semester, scheduled to begin this school year. CUAC has also provided art scholarships and internships for Snow College students, and organized and funded travel and accommodations for four or five visiting lecturers per semester for Snow College’s Visiting Lecture Series.

CUAC’s contemporary art format not only brought more people to Ephraim, who, together with CUAC, spend approximately $200,000 a year in Ephraim, but also artwork from internationally-acclaimed artists like Julian Opie, Kerry James Marshall, Jack Smith, Bek Stupak, Rashawn Griffin, Xaviera Simmons, Mariah Robertson, Angela Ellsworth, and Andrea Galvani. This list includes artists who have exhibited in the Whitney Biennial, the Venice Biennale, the Guggenheim, MoMA, UMFA, Getty Center, and the Saatchi Gallery, artists who have been featured on the seminal televised art series Art 21, and artists who have received many residencies and awards, including prestigious Guggenheim fellowships. While exhibiting internationally-acclaimed artists, 32% of CUAC’s exhibiting artists were from Sanpete County, providing an unparalleled opportunity for Utah’s best local artists to be associated with the world’s most celebrated contemporary artists.

The CUAC Board intends to follow the instructions of the eviction letter while continuing to examine legal options available. The CUAC is evaluating alternative locations for the Art Center’s permanent home and plans to sponsor a series of pop-up exhibitions in Utah in the interim.

A private “Farewell, Ephraim” event has been scheduled at the current CUAC location at 8pm on Saturday, August 18, which will include dancing, a live DJ, and a screening of Footloose. Free tickets to the event are available by emailing [email protected]; please include your name and number of guests. CUAC’s pARTy Bus will be available to transport CUAC supporters to and from the event. PARTy Bus tickets are $15 and include transportation, video art, and free drinks; tickets available at cuartcenter.org. The Bus will depart Salt Lake City’s 1300 South TRAX station parking lot at 5:30pm, and depart Ephraim at 11:30pm.

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Press contact:
Andrew Shaw, 801-502-3128
[email protected]

CUAC welcomes Edgar Arceneaux and Kurt Forman for screening of Hulk Alter You! at Salt Lake City Public Library

Friday, July 13th, 2012

 

To coincide with the exhibition superHUMAN, curated by Jorge Rojas and David Hawkins, Central Utah Art Center (CUAC) is pleased to welcome LA based artists Edgar Arceneaux and Kurt Forman for the premier screening of their collaborative filmic mash-up project Hulk Alter You!

 

WHO: Free and open to the public

WHAT: Screening of Edgar Arceneaux and Kurt Forman’s collaborative filmic mash-up project Hulk Alter You! Q&A with the artists will follow the screening.

WHEN: Thursday 26 July, 2012, 7 – 8:30pm

WHERE: Main Library Auditorium

210 East 400 South

Salt Lake City, Utah 84111

 

Hulk Alter You! is a mash-up of three Science Fiction films—Altered States, The Incredible Hulk, and Youth Without Youth—that visualize scientists/professors mutated by chemicals, radiation, and/or genetic engineering in an attempt to recreate themselves into super men with hyper-awareness, or hyper-physical powers. As LA based artists, both Forman and Arceneaux are interested in the ways Hollywood renders evolution into an entertainment vehicle for mass consumption, and how cinematic exaggeration and distortion influence the way in which people perceive themselves. Hulk Alter You! is a structural composite that overlaps frames of each film thematically to produce a fourth film that contains the original iterations, but also transcends them. The film attempts to scramble the codes of Hollywood cinema that render the hysterical human body through the lens of hyperbolic special effects—all while producing a subtle and sophisticated critique of the metamorphosis of science into mass entertainment.

 

The superHUMAN exhibit is currently on display at CUAC in Ephraim, Utah through August 3rd and will travel to Aljira, A Center for Contemporary Art in Newark, New Jersey, where it will be on exhibit from September 6 through December 22. The exhibition explores the work of more than a dozen contemporary artists who utilize speculative art forms—drawing from classic Greek myths, comic books and graphic novels, to sci-fi literature and film, to create new hybrid styles that provide the artists with an important means for exploring serious cultural issues. By incorporating elements of the mythical and fantastic, the artists in superHUMAN compel audiences to look beyond our contemporary notions regarding race, gender, cultural rituals, science, and even art itself.

 

 

Biographies

Kurt Forman was born in Coshocton Ohio in 1965 and currently resides in South Pasadena, California where he works as an artist and filmmaker. He received a B.A. in Art Theory from the University of California at San Diego, a Master’s Degree in Art History at the University of California at Riverside, and an M.F.A. in painting from the Art Center College of Design in Pasadena. He recently founded Green Cabin Films, an independent production company specializing in Experimental Horror and Science Fiction films, and his first live action short, Cannibal Cult Holocaust, was screened at the Reel Scary Horror Film Festival in Oklahoma. He has just completed his second live-action short, Missing Island, set to debut this summer at Jaus Gallery in LA. His reviews on Hollywood cinema have recently appeared in Artillery Magazine and he currently serves as an Adjunct Professor of Humanities at Pasadena City College where he teaches a course on Contemporary American Science Fiction and Horror Films.

 

Edgar Arceneaux was born in 1972 in Los Angeles, California, where he continues to live and work. He received a BFA from the Art Center College of Design in Pasadena and a MFA from the California Institute of the Arts in Valencia. In addition, he’s participated as an artist in residence at Art Pace in San Antonio, TX, Skowhegan School of Painting and Sculpture in Maine, Project Row Houses in Houston and at the Fachhochschule Aachen in Germany. Previous solo exhibitions of his work have been featured at the Hammer Museum, Los Angeles, the Kitchen, NY, the San Francisco Museum of Modern Art, Susanne Vielmetter Los Angeles Projects and The Studio Museum of Harlem, New York. Current exhibits of Arceneaux’s work include solo shows at the Museum für Gegenwartskunst in Basel, Switzerland and in “Marking Time”, the inaugural re-opening exhibition of the Sydney Museum of Contemporary Art in Sydney, Australia. His work has been included in the 2008 Whitney Biennial and California Biannual 2008, and resides in public collections including the Whitney Museum of American Art, Walker Art Center, Hammer Museum and Museum of Modern Art, New York. Arceneaux has received many prestigious awards including the United States Artists Award, William H. Johnson Award, Creative Capital, Joyce Foundation Award, American Center for the Arts, LEF Foundation Grant, the Pat Hearn Award, the California Community Foundation Individual Artists Award and the 2012 REDCAT Award.

 

Since 1999 Arceneaux has been the Director of the Watts House Project, an artist driven neighborhood redevelopment project centered on the historic Watts Towers.

Edgar cares about the relationship between art and the social space and has committed his professional life to its exploration.

superHUMAN: curated by Jorge Rojas and David Hawkins

Thursday, May 31st, 2012

Chitra Ganesh, Rabbithole, animation, dimensions variable, 2:54 minutes

 

Exhibition Dates: June 8 - August 3, 2012
Opening Reception: June 8, 2012 7-10pm

 

curated by Jorge Rojas
co-curated by David Hawkins

 

Participating Artists:

Blanka Amezkua

Edgar Arcenaux

Kevin Darmanie

Kurt Forman

Chitra Ganesh

Fay Ku

Shaun El C. Leonardo

Kerry James Marshall

Wanda Raimundi-Ortiz

Dulce Pinzón

William Pope.L

Robert Pruitt

Xaviera Simmons

Saya Woolfalk

 

* CUAC will present a special screening of Edgar Arcenaux’s and Kurt Forman’s new film mashup project Hulk Alter You!. Venue, date and time T.B.A.

 

Over the course of history, speculative art has taken a number of shapes, from classic Greek myths to comic books and graphic novels, from sci-fi literature to television and film. The fantastic qualities of this work have made it extraordinarily popular among audiences, but it also has provided artists with an important means for exploring serious cultural issues. This exhibition features artists who pull freely from speculative models, working in various mediums to help shape modern hybrid styles and bring new audiences into the conversation, challenging the assumptions that have sometimes kept speculative art outside serious discussion.

The innovative and highly influential artist Kerry James Marshall incorporates comic book themes and style as well as African art in his “Rythm Mastr” series, highlighting the age-old anxieties that have pit culture against technology. In William Pope.L’s video The Great White Way, the artist appears in a superman suit crawling the 22-mile stretch of Broadway, raising questions about the mythic image of the great white superhero. Chitra Ganesh blends fantastic elements from Greek myth, comic books, and classic Hindu and Buddhist folklore to examine the cultural messages buried in the iconography. And Edgar Arcenaux collaborates with Kurt Forman in the production of Hulk Alter You!, a filmic mashup that explores how Hollywood transforms evolutionary science into entertainment for mass consumption.

Other artists have tackled similar themes. Shaun El C. Leonardo has turned to the iconic imagery of superheroes and professional wrestlers to explore matters as diverse as masculinity, male stereotypes, and identity. Dulce Pinzón’s photographs of migrant laborers costumed as popular American comic book idols challenge the negative public perception of Hispanic immigration. In her dreamlike video, Empathetic Plant Alchemy, Saya Woolfalk draws on the invented, whimsical realm of “No Place” (an etymological play on utopia), to explore ritual, identity, and community. And Kevin Darmanie’s vibrant and playful works feature an alter-ego figure in a comic format, touching on topics from sexuality to gentrification, while Blanka Amezkua’s work, deeply influenced by the depictions of women in Mexican adult comics, marries the goddesses of ancient myth to these femme fatales, challenging traditional conceptions of female power.

Fairytales and folklore are also important sources of inspiration for a number of these artists. In her photograph Untitled (Pink), Xaviera Simmons invokes fables in which the heroine—armed with little more than her feminine ingenuity—must face mysterious and frightening creatures and an untamed wild. Taiwanese-born artist Fay Ku melds elements from Chinese folktales and myths in her stunning works on paper, provoking questions about childhood, transformation, and assimilation. Other artists examine more explicitly intimate topics, grappling with issues of race, mixed culture, and blended rituals in a way that reflects a personal engagement. Robert Pruitt’s animated video Black Stuntman incorporates references to comics, hip-hop, and science fiction, while his drawing Be of our Space World uses comic books and architecture to explore his own thinking about race. And Wanda Raimundi-Ortiz’s “Wepa Woman” series, informed by graphic novels, centers on a Puerto Rican heroine who faces poverty and sexual violence in a crime-ridden, urban landscape. Many of these artists subvert traditional archetypes, mix mediums and genres, and even dare to imagine a more dramatic, supraracial future.

By incorporating the mythical and fantastic, these artists compel audiences to look beyond our contemporary notions regarding race, gender, sexuality, cultural rituals, and even art itself. Like the half-human characters of myths, comic books, and sci-fi, these new speculative art forms may well point the way to the future of art and culture, stepping across the threshold as either an invitation or a warning. They resist easy categories, thwart the boundaries between high and low, and present a new vision of a shared superhuman experience.

New Mystics

Thursday, May 31st, 2012

Tyrone Davies, "WORD", video, 3 min, 2012

 

Exhibition Dates: June 8 – August 3, 2012
Opening Reception: Friday, June 8, 2012 from 7-10:00pm

 

curated by Jorge Rojas
co-curated by David Hawkins

 

Participating Artists:

Fidalis Buehler

Tyrone Davies

Allan Ludwig

Fionn McCabe

Art Morrill

 

According to the Hungarian folklorist and ethnographer, Mihály Hoppál, among the many responsibilities accorded to the traditional mystic was keeper of the tribe’s story, the history of its creation, and the source of its strength. The painters, sculptors, and video artists featured in this new CUAC show, a number from or living in Utah, reinvent that role for themselves, calling attention to the ambiguities of both creativity and mysticism while also invoking the shaman’s important role as the community’s first artist.

Fidalis Buehler, an Assistant Professor of Fine Arts at BYU, creates seemingly simple portraits using complex styles, embroidering a childlike temperament with an awareness of ethnic identity and indigenous ritual. Fionn McCabe creates fabulously complex images that weave together elements of graphic novels, pop culture, and fine art to explore the source of creativity and the distinction between high and lowbrow. Allan Ludwig, also on the Fine Arts faculty at BYU, draws from science fiction and role playing games to fashion magical objects that permit the viewer entry into another world. Conceptual artist and filmmaker Tyrone Davies employs new media to question the role of technology in entertainment and examine the ways it shapes or alters our perception of creativity and creation narratives. And Art Morrill works with found objects, including old scraps of wood and discarded cardboard, to produce works reminiscent of graffiti art that probe the vulnerability of our heroes.

In contrast to the hardened cynic or the hidebound authority, the word “mystic” emerges from the Greek μυστικός, which originally meant someone who is a beginner or initiate to the mysteries. These artists, each in their own unique way, point us back to that first sense of the word, directing us toward our own human frailties and vulnerabilities. Their work suggests that these supposed imperfections may, in fact, be genuine strengths—and for the artist especially, the very source of his or her greatest creativity.

Utah Ties Winners!

Tuesday, February 14th, 2012

Congratulations to the winners of the 2012 Utah Ties Juried Exhibition. Our Juror, Max Presneill, selected three winners:

  • 1st Place: Noah Coleman, Sisyphus
  • 2nd Place: Bruce Case, Vessels
  • 3rd Place: Daniel Barney, If the Odds Are Good, Take That Risk You’ve Been Considering

Daniel Barney

Bruce Case

Noah Coleman


The Gang’s All Here: curated by Max Presneill

Thursday, February 9th, 2012

 

New Art From Los Angeles

Exhibition Dates: February 10 – April 6
Opening Reception: February 10, 7-10pm
CCAspace

Participating artists:
Mclean Fahnestock
Roni Feldman
Kiel Johnson
William Kaminski
Billy Kheel
Owen Kydd

Claudia Parducci
Max Presneill
Nano Rubio
Aili Schmeltz
Chris Trueman
Grant Vetter

 

VIDEO: A Mid-Opening Performance by Mariah Robertson & An Installation View

Friday, December 9th, 2011

Mariah Robertson plays with the projections, parading a tabletop through the gallery space.

 

 

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A corner view of the downstairs gallery.

Across Process-A Group Exhibition from Salt Photo Society

Wednesday, November 30th, 2011

curated by Lindsey Winkel

Exhibition Dates: December 2-Februaury 3

CUAC Annex

 

Participating artists

Morgan Donovan

Anna Hansen

Greg Hebard

Etsuko Kato

Tyler Lynch

Michael Marcinek

Sarra Nordesen

Anikó Sáfrán

Guinnevere Shuster

 

Salt Photo Society is a group of artists supported by the University of Utah who work to connect academic and community art practices. Across Process is a collection of works by members of Salt Photo Society who have roots in analog photography. The processes they currently work with help record the possible digressions, or continuations, of meat-and-potatoes film practices during a time when the disposition of their foundational medium is uncertain.”

Visit their website here.

Conscious Utah Awesomeness Children: Mariah Robertson

Tuesday, November 29th, 2011

 

Exhibition Dates: December 2-February 3

Main Gallery and CCA Cabin

In keeping with the exhibition’s title, a playful revised acronym for CUAC, Brooklyn-based artist Mariah Robertson will present an experimental arrangement of video and large scale photography specifically considered to activate the CUAC’s main and CCA cabin spaces—including interactive video and film projections, and a photo installation of a 30″x100′ roll of hand processed, uncut photo paper. Using an assortment of analog photo techniques, her layered works combine images ranging from modernist and abstract to representational and figural into a single image that disrupts the format and standards for photography. Robertson has exhibited extensively at venues worldwide including PS1, Saatchi Gallery, and Detroit Museum of Contemporary Art. She was also featured in the PBS series Art21.

Mountain High: New work from Courtney Puckett

Tuesday, November 29th, 2011

 

 

Exhibition Dates: December 2-February 3

Upstairs Gallery

Brooklyn-based Sculptor Courtney Puckett’s craft techniques function as a formal investigation related to the history of women challenging the rules of painting and sculpture by utilizing stereotypically feminine materials and subjects. By taking discarded domestic items and combining them through weaving, stitching, wrapping, and knotting, Puckett simultaneously reveals their disparate histories and masks the function implications of others. She has exhibited and studied worldwide, and has been an Artist-in-Residence at the Vermont Studio Center, Buffalo National River in Arkansas, and the Byrdcliffe Arts Colony in Woodstock, NY.


Höller Back

Saturday, November 5th, 2011

Over the past week, the NYC Department of Consumer Affairs (DCA) had its safety-conscious eye on German artist Carsten Höller’s interactive exhibition at the New Museum, particularly because of the two-story metal slide installation that, since its erection, has attracted double the amount of daily visitors. The 102-foot-long work was considered a possible breach of safety codes, and the museum had yet to receive the go-ahead before the show officially opened just over a week ago.

After the necessary permit was obtained and the Department of Buildings inspected the slide, the DCA approved the installation—certainly a tremendous relief for the museum, as well as those who were prepared for a “Save the Slide” crusade—and the tube slide of the Carsten Höller: Experience exhibition is back in play until the show closes in January of next year.

For more information about Höller’s show, visit www.newmuseum.org.

http://culture.wnyc.org/articles/features/2011/nov/01/new-museum/

http://gothamist.com/2011/11/03/new_museums_slide_is_safe_says_city.php

Graphic: Exhibit A: Fionn McCabe and Sri Whipple, and Exhibit B: Erin Riley

Monday, October 3rd, 2011

 

curated by Cara Despain

Exhibition Dates: October 14 - November 15

The Central Utah Art Center presents graphic— two pocket exhibitions curated by former GARFO Art Center curator Cara Despain. The exhibitions are linked by a common visual language executed via different formal modes and materials, and situate the graphic within contemporary art; setting it apart from the illustrative and commercial and pushing it past the linear narrative.

 

exhibit a: Fionn McCabe and Sri Whipple—Los Angeles-based artist Fionn McCabe and Salt Lake City artist Sri Whipple share several common influences and formal sensibilities concerning the language of graphic novels, but also depart from it in content and execution. The exhibition will show collaborative mixed media works, in addition to pieces created individually, that intersect, combine, dissect and even subvert this language, and also mark the differences between the two artists.

 

exhibit b: Erin Riley—Culling images from sources such as Google and Facebook Philidelphia-based artist Erin Riley makes permanent a facet of contemporary culture, and points to a loose narrative as told by the Internet. The tapestries use an old medium to address very contemporary issues, and subdue the explicit by simplifying the images into more graphic forms.

“Are We Having Fun Yet?” New work from Fay Ku

Saturday, October 1st, 2011

Exhibition Dates: October 14 - November 25

“Are We Having Fun Yet?” takes current political and economic events as a point of entry to explore ideas of security, passivity and general anxiety for the future. Although these concepts are serious, the result is not without humor. Comprised of new works on paper, the works in this exhibition are a product of loosely associated images as mediations rather than projecting any one ideology or thesis.

Taiwanese-born American Fay Ku graduated from Pratt Institute with an MFA and a Master’s of Science in Art History. The faux-naïve nature of her illustrative style is exemplified by her use of watercolour, ink, and graphite on paper. Her choice of subject matter has evolved over the years, yet she retains the elegant juxtaposition of seriousness and puerility of her earlier art. Conscious of the fact that her unconscious is largely at work when she creates, her recent illustrations demonstrate a somewhat playfully cynical view of society. Her Darger-esque drawings present relevant socioeconomic commentary via images of modern-day youth of the glitterati living a neo-Rococo lifestyle, provoking the viewer to contemplate economic stability of the future and the results of passing the torch to a generation that seems to be more concerned with role-playing as rather than becoming adults.

Documentary Fiction Installation Views

Friday, September 16th, 2011


Exhibition Dates: August 12 - Oct 7
Opening Reception: August 12, 7-10pm
CUAC Main Gallery and CCAspace

Participating artists:
Josh Azzarella
Ben Thorp Brown
Ben Dean
Laura Heyman
Ann Hirsch
Sara Jordenö

Recur: New work from Roland Thompson

Thursday, July 28th, 2011


Exhibition Dates: Aug 12 - Sept 2, 2011
Opening Reception: Aug 12, 2011 7-10pm
CUAC Upper Gallery

|riˈkər|from Latin recurrere: to run back
This group of artwork is part of ongoing research into the concept and application of recursion, which is generally associated with computer science, linguistics, and mathematics; but has also been applied to the visual arts. Webster’s Collegiate Dictionary defines recursion as “the determination of a succession of elements (as numbers or functions [or lines]) by operation on one or more preceding elements according to a rule or formula involving a finite number of steps.” The aspect of my paintings that is recursive is the structure. Each design is produced by a particular predefined motion along a path. So far I have produced three different types of recursive structures. One which is recorded along a singular path as in Circuitous Melody; two, moved along a distinct path during each cycle as in Flammeum Gladium; third, a path is started, terminated, and restarted in a new position multiple times to produce a cluster of enclosed shapes as in Ventus Turbinis.

Roland Thompson was born in 1970 in Utah, where he continues to live and work. He received a B.F.A. from Brigham Young University in 1998 and an M.F.A. from Virginia Commonwealth University in 2001. Thompson has been featured in over 60 exhibits, the most notable including: Hot & Sticky, The Painting Center, New York (2001); Random Order, White Columns, New York (2003); Reductive, Mahan Gallery, Columbus, Ohio (2006); and 24/7, Sego Art Center, Provo, Utah (2009). Thompson is recipient of numerous awards and scholarships, including a 2008 Utah Arts Council Grant, and teaches at Brigham Young University and Art Institute of Pittsburg-Online Division.

This exhibition is one of many at the CUAC that features highly acclaimed artists from around the United States and Utah. A review of our programming has recently been included in the highly influential international Flash Art magazine published in Milan, Italy. Artists who have shown at the CUAC over the last four years have been included in the Whitney Biennial, the Venice Biennial, collected by Charles Saatchi; they have been exhibited in the Getty Museum, Whitney Museum, Guggenheim Museum, Saatchi Gallery, major museums in Switzerland, Germany, Iceland, Korea, and Spain; They have shown in Deitch Projects, Mary Boone Gallery, Freight and Volume Gallery, the Drawing Center, and many other important New York, Los Angeles, and international venues.