Posts Tagged ‘Utah’

Ephraim City Evicts Central Utah Art Center. CUAC Board views eviction as censorship.

Tuesday, July 17th, 2012

Scroll down to read about Edgar Arceneaux and Kurt Forman at the SLC Public Library on July 26

Links to articles about the eviction:

Salt Lake City Weekly

Salt Lake Tribune

KPCW

KUER

Salt Lake Magazine

We are on our way out of Ephraim. We have been pioneers for contemporary art in Utah. We are looking for a new venue so we can continue to do what we do. If you want to help us out, we are working on a couple things 1) we’re looking for a new venue; 2) we need to make up the money we’re short from Ephraim City (make a donation); 3) we’ll have an online petition (Check back soon). For more details, check out the press release below:

Ephraim City Evicts Central Utah Art Center
CUAC Board views eviction as censorship

After 20 years in Ephraim’s Pioneer Square, the Central Utah Art Center (CUAC) received a surprise eviction from the Mayor and Council of Ephraim City on June 20, 2012. Without warning, the government of Ephraim has given notice for CUAC to vacate the building that the CUAC saved from impending demolition and converted into a leading venue for contemporary art in the State of Utah. Although the eviction letter claims lack of support for local arts education and artists, the CUAC Board of Directors views the eviction as a response to the artwork that CUAC exhibited and an attempt to censor the material in a way that violates First Amendment rights.

In conversations with their constituents, the Mayor, City Manager, and several Council members of Ephraim have commented that they feel CUAC exhibitions aren’t “Sanpete appropriate.” Contemporary art of the caliber that CUAC has exhibited is not always intended for viewing by minors, but the CUAC Board maintains that the residents of Sanpete County and the state of Utah deserve exposure to art that challenges, compels, and elevates a viewer who has reached maturity. “That the surprise eviction comes at a time when CUAC is exhibiting three photographs which depict women’s breasts in an exhibition that explores racially-based civil injustices is no coincidence,” said CUAC Director Adam Bateman. “Ephraim City has moved to censor the artwork available to the people of Sanpete County.”

In 1992, Ephraim City planned to raze the ZCMI Granary and co-op building at Ephraim Pioneer Square. A group of citizens raised money and oversaw renovations to save the buildings and start the Central Utah Art Center. At that time, CUAC was a co-operative gallery that showed Sanpete County artists, received approximately 450 visitors annually, and received free rent from Ephraim City. In 2005, CUAC’s focus turned from exclusively showing local artists to exhibiting the best of local, national, and international contemporary artists, a move which brought international recognition, a tenfold increase in financial support, and a twenty-fold increase in visitors (9,000 annually). Ephraim City increased their support of CUAC at that time to include $30,000 annually. CUAC operates under a $130,000 annual budget, the majority of funds coming from private donors and foundation support which includes the prestigious Andy Warhol Foundation.

CUAC has a history of supporting local artists and local arts education. Over the last seven years, 32% of artists exhibiting at CUAC have been from Sanpete County. CUAC has offered classes that target elementary students, occurring an average of more than twice a month for approximately 15 students each. CUAC has also developed a curriculum and been in conversation with Ephraim Elementary School and Snow College to implement an arts education program in the school that would benefit 300 elementary students at least eight times per semester, scheduled to begin this school year. CUAC has also provided art scholarships and internships for Snow College students, and organized and funded travel and accommodations for four or five visiting lecturers per semester for Snow College’s Visiting Lecture Series.

CUAC’s contemporary art format not only brought more people to Ephraim, who, together with CUAC, spend approximately $200,000 a year in Ephraim, but also artwork from internationally-acclaimed artists like Julian Opie, Kerry James Marshall, Jack Smith, Bek Stupak, Rashawn Griffin, Xaviera Simmons, Mariah Robertson, Angela Ellsworth, and Andrea Galvani. This list includes artists who have exhibited in the Whitney Biennial, the Venice Biennale, the Guggenheim, MoMA, UMFA, Getty Center, and the Saatchi Gallery, artists who have been featured on the seminal televised art series Art 21, and artists who have received many residencies and awards, including prestigious Guggenheim fellowships. While exhibiting internationally-acclaimed artists, 32% of CUAC’s exhibiting artists were from Sanpete County, providing an unparalleled opportunity for Utah’s best local artists to be associated with the world’s most celebrated contemporary artists.

The CUAC Board intends to follow the instructions of the eviction letter while continuing to examine legal options available. The CUAC is evaluating alternative locations for the Art Center’s permanent home and plans to sponsor a series of pop-up exhibitions in Utah in the interim.

A private “Farewell, Ephraim” event has been scheduled at the current CUAC location at 8pm on Saturday, August 18, which will include dancing, a live DJ, and a screening of Footloose. Free tickets to the event are available by emailing [email protected]; please include your name and number of guests. CUAC’s pARTy Bus will be available to transport CUAC supporters to and from the event. PARTy Bus tickets are $15 and include transportation, video art, and free drinks; tickets available at cuartcenter.org. The Bus will depart Salt Lake City’s 1300 South TRAX station parking lot at 5:30pm, and depart Ephraim at 11:30pm.

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Press contact:
Andrew Shaw, 801-502-3128
[email protected]

Recur: New work from Roland Thompson

Thursday, July 28th, 2011


Exhibition Dates: Aug 12 - Sept 2, 2011
Opening Reception: Aug 12, 2011 7-10pm
CUAC Upper Gallery

|riˈkər|from Latin recurrere: to run back
This group of artwork is part of ongoing research into the concept and application of recursion, which is generally associated with computer science, linguistics, and mathematics; but has also been applied to the visual arts. Webster’s Collegiate Dictionary defines recursion as “the determination of a succession of elements (as numbers or functions [or lines]) by operation on one or more preceding elements according to a rule or formula involving a finite number of steps.” The aspect of my paintings that is recursive is the structure. Each design is produced by a particular predefined motion along a path. So far I have produced three different types of recursive structures. One which is recorded along a singular path as in Circuitous Melody; two, moved along a distinct path during each cycle as in Flammeum Gladium; third, a path is started, terminated, and restarted in a new position multiple times to produce a cluster of enclosed shapes as in Ventus Turbinis.

Roland Thompson was born in 1970 in Utah, where he continues to live and work. He received a B.F.A. from Brigham Young University in 1998 and an M.F.A. from Virginia Commonwealth University in 2001. Thompson has been featured in over 60 exhibits, the most notable including: Hot & Sticky, The Painting Center, New York (2001); Random Order, White Columns, New York (2003); Reductive, Mahan Gallery, Columbus, Ohio (2006); and 24/7, Sego Art Center, Provo, Utah (2009). Thompson is recipient of numerous awards and scholarships, including a 2008 Utah Arts Council Grant, and teaches at Brigham Young University and Art Institute of Pittsburg-Online Division.

This exhibition is one of many at the CUAC that features highly acclaimed artists from around the United States and Utah. A review of our programming has recently been included in the highly influential international Flash Art magazine published in Milan, Italy. Artists who have shown at the CUAC over the last four years have been included in the Whitney Biennial, the Venice Biennial, collected by Charles Saatchi; they have been exhibited in the Getty Museum, Whitney Museum, Guggenheim Museum, Saatchi Gallery, major museums in Switzerland, Germany, Iceland, Korea, and Spain; They have shown in Deitch Projects, Mary Boone Gallery, Freight and Volume Gallery, the Drawing Center, and many other important New York, Los Angeles, and international venues.

“Dis/continuum” New Work from Blake Carrington

Saturday, May 7th, 2011

Exhibition Dates: May 13-June 3, 2011

Opening Reception: May 13, 2011 7-10pm

Blake Carrington was born in Indiana in 1980. As an artist, he operates within the spheres of visual, sound and media art. His work in all of these varieties is informed largely by cultural geography, landscape and architecture. The areas between these formalized spatial practices and the compelling qualities of sound and visual arts are the main focus of his work. He is currently an artist-in-residence at LMCC’s Swing Space on Governors Island, New York, and recently received a NYSCA grant in support of his debut CD release concert at the Basilica of St. Patrick’s Old Cathedral. He has completed residencies at the HIAP in Helsinki, Finland, the Atlantic Center for the Arts in Florida, and the Rustines Lab in Montreal, Canada. In 2009 he received his MFA from Syracuse University, where he co-founded the platform for outdoor projections called the Urban Video Project. Last year he also co-curated a series for UVP featuring Trevor Paglen, Jill Magid, Thomson & Craighead, Miranda Lichtenstein and Jaume Ferrete. His print series Loci_, exploring the questionable translation of field recordings to abstract landscape imagery, is located in The Drawing Center’s Viewing Program in New York. Blake currently resides in Brooklyn, where he continues to explore new ideas for the utilization of installation, sound and the media art.

The CUAC is pleased to announce Dis/continuum, the first exhibition to feature Blake Carrington. Here, he will use topography and mineralogy as metaphors to examine cognitive boundaries, perception of landscape, and states of becoming rather than being. There are three components to this exhibition. First, the Temporary Formations list will include almost 200 geographic landform terms in multiple languages, which will appear as text on vinyl attached directly to the walls. Second, the Pile Gestalten will explore the idea of pieces becoming a unified whole. He will use a few rocks or several rocks to generate a pile of rocks. Groups of various materials such as mulch, rock salt and gravel will be arranged and outlined on the floor in an attempt to define their respective boundaries. Thirdly, the Colored Noise section will evaluate the molecular structures of crystals, using these patterns to create droning ambient sounds.

This exhibition is one of many at the CUAC that features highly acclaimed artists from around the United States and Utah. A review of our programming has recently been included in the highly influential international Flash Art magazine published in Milan, Italy. Artists who have shown at the CUAC over the last four years have been included in the Whitney Biennial, the Venice Biennial, collected by Charles Saatchi; they have been exhibited in the Getty Museum, Whitney Museum, Guggenheim Museum, Saatchi Gallery, major museums in Switzerland, Germany, Iceland, Korea, and Spain; They have shown in Deitch Projects, Mary Boone Gallery, Freight and Volume Gallery, the Drawing Center, and many other important New York, Los Angeles, and international venues.

CUAC Mission Statement:

The purpose of the CUAC is to educate Utahns about Contemporary Art through exhibitions of artists from three categories:

  1. Sanpete artists who demonstrate a high level of professionalism in their art;
  2. Utah artists who make art in a Contemporary genre who are emerging or well established;
  3. and artists who are exemplary of important trends in Contemporary Art worldwide.

The CUAC maintains that good education about art starts with strong exhibitions of Contemporary Art that have relevance in content or image to our community. Education also includes outreach to the community in the form of classes for adults and children, lectures and critical dialogue about art, and an inviting, friendly environment that welcomes visitors and encourages questions and strives to provide answers.< br/>< br/>

Newly Restored Central Utah Art Center CCA Cabin Featured in Deseret News

Wednesday, June 2nd, 2010
geniel

Geniel Jensen, great-granddaughter of Mormon artist C.C.A. Christensen, at her home in Salt Lake City in 2007. (Liz Martin, Deseret News)

The restoration of the CCA cabin, a new gallery space at CUAC, was featured in the Deseret News last week. We are planning some really great exhibits that will utilize this new space, and we look forward to bringing even more contemporary art to Utah. We’ll be announcing several of the exhibits soon, so look forward to hearing more about that. In the meantime, click here to read the article in the Deseret News.

Past CUAC Artist Meridith Pingree at Cal State LA

Thursday, December 17th, 2009

The group exhibition titled “I’m Giving You My Dream Guns” presents drawings, sculptures, and installations by three New York based artists: Alexi Chisler, Libby Hartle, and Meridith Pingree. The work of these three artists is in various ways inspired by natural growth patterns, and explores the mechanics of organic processes by incorporating smaller elements to make up larger natural systems.


The title, “I’m Giving You My Dream Guns,” is not literal or descriptive, so much as an open-ended metaphor. The giving away of the dream gun refers to the way in which the exhibition presents the artists’ work: they give their power and ideas away to the audience, in the hope that it will give them power and inspiration.


“I am Giving You My Dream Guns.”

Artists: Alexi Chisler, Libby Hartle and Meridith Pingree

Curator: Mika Cho

Fine Art Gallery, Cal. State LA

Exhibition Dates: January 30th – February 25th

Opening Reception: January 30th

Past CUACartist: Rashawn Griffin in “Elsewhereless”

Tuesday, December 15th, 2009

Elsewhereless: Judah Catalan, Rashawn Griffin, Jonathan Hartshorn, Diane Townsend

http://tinyurl.com/yjwf2l2

Gallery reception: Saturday, December 12th, 4 to 6pm

Exhibition dates: November 29 to December 20, 2009

FOR IMMEDIATE RELEASE, November 29, 2009 — Callicoon Fine Arts presents Elsewhereless, an exhibition of artworks by four artists: Judah Catalan, Rashawn Griffin, Jonathan Hartshorn and Diane Townsend. The exhibition unites two artist who are local to the Upper Delaware River Valley with two emerging artists from elsewhere. The gallery will host an opening reception on Saturday, December 12, 2009 from 4 to 6pm.

Judah Catalan, b. 1946 in Rehovot, Israel, lives and works in Milanville, PA. His paintings are gestural abstractions whose non-referential forms, like that of the Action Painters, sometimes appear to be representations of accumulated stones and derivations of calligraphic marks. However, Catalan’s works are demonstrative of what art critic Harold Rosenberg famously said, “what was to go on the canvas was not a picture but an event.” Catalan has exhibited at the Museum of Modern Art, Oxford.

Rashawn Griffin, b. 1980 in Los Angeles, CA, lives and works in New York, NY. In the tradition of artists such as David Hammons and Bruce Conner, his diverse practice employs found objects and personal effects that refer to places and literary figures. He creates a dialog between organic, transient materials including grasses and food, and larger architectural concerns that engage the viewer through fluctuations in scale and viewpoint. Griffin has exhibited at the Studio Museum Harlem, the 2008 Whitney Biennial, and is currently preparing an exhibition at the Nerman Museum of Contemporary Art in Overland Park, KS.

Jonathan Hartshorn, b. 1976 in Euclid, OH, lives and works in New York and in Albuquerque, NM. His work might also be compared to the work of Bruce Conner as well as to the lesser know American artist, Robert Mallary. He has written to the gallery that, “facing two feeds afraid brain, magnetic energy directed / weapons / transfer area seeing / samples / grey bright hair hearing last july.” Hartshorn has staged an unauthorized exhibition at the Museum of Modern Art, NY, and has participated in group exhibitions at P.S. 1 MoMA among other significant venues. “WITH backs towards the END”, a solo exhibition of his work, is coming up very soon at Samson Projects, Boston, MA.

Diane Townsend, b. 1946 in Indianapolis, IN, lives and works in Milanville, PA. Taking cues from Robert Mangold and Ellsworth Kelly, her painted sculptures and two dimensional works often juxtapose two distinct forms, each painted a different color. The carefully calibrated combinations draw attention to the relationship between the forms and colors. Using paints or pastels, the surface of the objects is also activated and designed to elaborate the formal relationships. Townsend recently exhibited at the Huntington Museum of Art, Huntington, WV, where she led the Walter Gropius Master’s Workshop.

The title Elsewhereless is borrowed from an opera written by Adam Egoyan.

For further information and images please contact Photi Giovanis at 845-887-4202, or preferably by email at [email protected].

Elsewhereless: Judah Catalan, Rashawn Griffin, Jonathan Hartshorn, Diane Townsend
Gallery reception: Saturday, December 12th, 4 to 6pm
Exhibition dates: November 29 to December 20, 2009
FOR IMMEDIATE RELEASE, November 29, 2009 — Callicoon Fine Arts presents Elsewhereless, an exhibition of artworks by four artists: Judah Catalan, Rashawn Griffin, Jonathan Hartshorn and Diane Townsend. The exhibition unites two artist who are local to the Upper Delaware River Valley with two emerging artists from elsewhere. The gallery will host an opening reception on Saturday, December 12, 2009 from 4 to 6pm.
Judah Catalan, b. 1946 in Rehovot, Israel, lives and works in Milanville, PA. His paintings are gestural abstractions whose non-referential forms, like that of the Action Painters, sometimes appear to be representations of accumulated stones and derivations of calligraphic marks. However, Catalan’s works are demonstrative of what art critic Harold Rosenberg famously said, “what was to go on the canvas was not a picture but an event.” Catalan has exhibited at the Museum of Modern Art, Oxford.
Rashawn Griffin, b. 1980 in Los Angeles, CA, lives and works in New York, NY. In the tradition of artists such as David Hammons and Bruce Conner, his diverse practice employs found objects and personal effects that refer to places and literary figures. He creates a dialog between organic, transient materials including grasses and food, and larger architectural concerns that engage the viewer through fluctuations in scale and viewpoint. Griffin has exhibited at the Studio Museum Harlem, the 2008 Whitney Biennial, and is currently preparing an exhibition at the Nerman Museum of Contemporary Art in Overland Park, KS.
Jonathan Hartshorn, b. 1976 in Euclid, OH, lives and works in New York and in Albuquerque, NM. His work might also be compared to the work of Bruce Conner as well as to the lesser know American artist, Robert Mallary. He has written to the gallery that, “facing two feeds afraid brain, magnetic energy directed / weapons / transfer area seeing / samples / grey bright hair hearing last july.” Hartshorn has staged an unauthorized exhibition at the Museum of Modern Art, NY, and has participated in group exhibitions at P.S. 1 MoMA among other significant venues. “WITH backs towards the END”, a solo exhibition of his work, is coming up very soon at Samson Projects, Boston, MA.
Diane Townsend, b. 1946 in Indianapolis, IN, lives and works in Milanville, PA. Taking cues from Robert Mangold and Ellsworth Kelly, her painted sculptures and two dimensional works often juxtapose two distinct forms, each painted a different color. The carefully calibrated combinations draw attention to the relationship between the forms and colors. Using paints or pastels, the surface of the objects is also activated and designed to elaborate the formal relationships. Townsend recently exhibited at the Huntington Museum of Art, Huntington, WV, where she led the Walter Gropius Master’s Workshop.
The title Elsewhereless is borrowed from an opera written by Adam Egoyan.
For further information and images please contact Photi Giovanis at 845-887-4202, or preferably by email at [email protected].

Peter Finnemore

Tuesday, December 15th, 2009

Recent Acquisitions from the Glynn Vivian Collection

http://tinyurl.com/y8akh4m